A substantial part of my work has involved performative and interactive media — projects that required fusing the technical, the conceptual, the performers and the audience into one coherent experience, synchronizing different strains of importance:

creating a space, creating a moment, creating a feeling…

This perspective led toward the production of modular, reconfigurable systems and connects back directly to my Bachelor's thesis project Raummaschine. In these contexts, my role typically involved concept development, visual design, programming, prototyping, and technical implementation.

What I gained from this work was a sustained interest in responsive systems in which bodies, media environments, and computational processes continuously influence one another. Across these projects, my role was centered on building visual systems that actively shape perception and interaction.

In the most recent time I have been developing methods at the intersection of sensory input, generative processes, and artificial intelligence. This is where I can see a lot of potential for research and dialogue.

A further area of my work integrates scientific and environmental data into spatial media — projects developed in cooperation with the Fraunhofer Institute and the Alfred Wegener Institute. These required making complex, non-visual information spatially navigable. My role combined concept development, art direction, visual design, programming, and technical setup. This gave me a better understanding of how artistic practice can intersect with research-based and educational methodologies.